Page 31 - Black Velvet Rock Magazine Issue 112
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BV112 albums pg31.qxp_BV112 pg 31  22/06/2025  16:18  Page 1



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                                   guys   have  definitely   listens at least, while   strumental section, is en-  tal, and then, up-and-at-
                                   stormed into our hearts,   'Weekend in Rome' is per-  hanced remarkably by Flo-  ‘em again, with convulsing
                                   that’s for sure.      haps the most ‘WTF?’ mo-  rian's vocals.  This is a   riffs and another round of
                                              YYYYY      ment the band has ever   highlight of the album.    Ginger’s melodic vocals. To
                                         Shari Black Velvet   created, and everything   But, towards the end is   say he’s a creative genius
                                                         else falls somewhere in be-  where Rock-Out surprise   is an understatement. He
                                                         tween. While these songs   you.  The first swerve   can change paces and
                                                         may not be to everyone's   comes with 'Tears Are The   styles faster than the
                                                         liking,  The Darkness just   Rain', a stripped-back bal-  speed of light, while mak-
                                                         wouldn't be The Darkness   lad, in which the band   ing it all gel at the same
                                                         without them and a world   show a completely different   time.
              STORM ORCHESTRA                            without  The Darkness is   side to their character.   The 5 minute, 16 sec-
              GET BETTER                                 one that's a little less fun,   They continue this with 'Hit   ond ‘Scared Of Glass’ is
              (MASCOT)                                   and no one wants that.   Me',  a  marvellously   punchy, exuberant, and
                 ‘Get Better’ is Storm                               YYYY     melodic slice of hip-sway-  has all the elements of a
              Orchestra’s second full-                         Michael Coventry   ing and shaking rock to   classic Wildhearts tune.
              length album release, and                                        help bring the show to a   The kind of song that will
              first album on Mascot                                           close, and prove, once   slot into a live set nicely in
              Records, and you can def-  THE DARKNESS                         again, why you should   between ‘Caffeine Bomb’
              initely see why the Nether-  DREAMS ON TOAST                    never judge a book by its   and ‘I Wanna Go Where
              lands-based label wanted   (COOKING VINYL)                      cover. Even if the cover   The People Go’. I wanna
              to sign them.  The three-  Almost a quarter of a                does bear a song called   go where ‘Scared Of Glass’
              piece from Paris, France   century after they crashed           'HCRNRSM'.           goes. Delightful harmonies
              have created a stunning   into existence and our                             YYYY    fuel ‘Troubadour Moon’,
              12-track album. Songs   lives, it's truly a joy that The               Michael Coventry   another highlight of the
              such as ‘Drummer’ have a   Darkness still have the abil-                             album. It’s a cautionary tale
              quirky infectiousness, a   ity to entertain in a way                                 for any musician that lis-
              cocktail of fun with an un-  which so few others can.                                tens to too much advice.
              derlying soberness, some   Lowestoft's finest are back   ROCK-OUT                    Ginger manages to come
              zesty vocals backed by   and, with 'Dreams On   LET'S CALL IT ROCK ‘N'               up with the rather unique
              steadfast drumming and in-  Toast', they are every bit as   ROLL                     rhyming lyric of ‘He never
              terjected  with  potent   fab as ever, with an album   (FRONTIERS)                   bought the second home in
              riffage.             which is equal parts brilliant   Sometimes, you don't           Paris, never saw the au-
                 ‘Crush The  Mirrors’   and brilliantly bonkers, in   need to listen to a band's   rora borealis’.  After a quiet,
              sees   frontman  Max   true Darkness fashion.   music to already know ex-            crackly vinyl, old-time,
              Goudard pristinely sing,   Kicking off with 'Rock And   actly what they sound like,   album-like, acoustic intro,
              ‘My pain won’t yield, and   Roll Party Cowboy', the   and Rock-Out fit that cate-    ‘Fire In The Cheap Seats’
              my instinct is shouting: fuck   first of a handful of songs to   gory perfectly.  And, what   emerges as a chaotic pum-
              them all’. There’s a serenity   remind you just what an   they do, they do very well.   THE WILDHEARTS   melling of the senses. Gin-
              to the song, despite the   underrated guitarist Dan   If you'd like an idea of what   SATANIC RITES OF THE   ger shouts, ‘There’s no way
              helpless  lyrics,  until   Hawkins is, the song not   that taste is, the band   WILDHEARTS   out, but through.’ 30 sec-
              Bertrand Poncet of Chunk!   only boasts an infectious   name itself will give you a   (SNAKEFARM)   onds later, the song has
              No, Captain Chunk!, who   riff, but it also sticks a great   clue, the album title, 'Let's   ‘Your story is far from   switched over into dreamy
              produced the album, caus-  big smile on your face,   Call It Rock ‘N' Roll' is a   done,’ Ginger Wildheart   harmonies,  before  a
              tically adds septic metal vo-  while the line ‘hard rock,   strong hint and, if that's not   sings in ‘Hurt People Hurt   thrashing and tumultuous
              cals over a heavy-duty   soft rock, big party’ is a   enough, songs like 'Pump   People’, on The Wildhearts’   reprise of ‘You’d better call
              breakdown. Royal Repub-  clear-as-crystal indication   It Up' and 'Dynamite'   latest album, ‘Satanic Rites   the police, you’d better call
              lic fans will adore ‘Super-  of what is to come.    should. And, if you are still   Of  The Wildhearts’. It’s a   the police’.
              player’.  It’s  got  an   It's the harder rock   unclear, then what about   message for anyone listen-  ‘Hurt People Hurt Peo-
              entertaining funky strut that   where The Darkness are at   'HCRNRSM', which, you   ing that’s going through a   ple’ is tender, heartbreak-
              is captivating until its cli-  their best on this record   will soon come to under-  tough time, but could also   ing and inspiring, all in one.
              mactic ending. With lyrics   and ‘Walking Through Fire’   stand, stands for ‘Hard   be a message to himself in   It has the power to help a
              inspired by sports, the   continues the trend of their   Core Rock ‘N’ Roll Sex Ma-  the mirror.  After battling   lot of people with its hon-
              song is packed with energy   post-reunion albums all   chine’. Whether you want   through an extremely low   esty and openness. ‘I’ll Be
              and adrenaline.      producing at least one   to call it sleaze or party   point in his life, which re-  Your Monster’ has a real
                 ‘Cut Loose, Somehow’   song which easily stands   rock, this will put a smile   sulted in no interest in writ-  tribal vibe, voodoo rock ‘n’
              has an almost conveyor   amongst their finest work   firmly on your face.    ing any songs or working   roll, with a stomping drum
              belt-like, riveting beat. The   and, for 'Dreams On Toast',   Having said that, the   on music, Ginger moved to   beat that gets under your
              tune is addictive, with a   this is it.  A brilliantly-cre-  album starts in somewhat   the countryside and, sud-  skin, while album closer
              break that lifts it higher be-  ated slab of fun-filled rock   generic fashion: 'The Boys   denly, flashes of inspiration   ‘Failure Is The Mother Of
              fore almost spinning back   ‘n’ roll showcasing all their   are Back' and the title track   popped into sight. ‘Satanic   Success’ is an epic, 7
              around and reverting back   talents,  with  Justin   are perfectly serviceable,   Rites Of The Wildhearts’ is   minute 46 second, multi-
              to the original beat.  And   Hawkins' unmistakable vo-  but, equally nothing overly   a raw and real journey   faceted, interstellar con-
              then, ‘Désolé’ proves to be   cals at the forefront. 'Mortal   attention-grabbing.  Al-  through a gamut of emo-  struction, straight from the
              a true power  ballad and   Dread' continues this trend,   though things take a step   tions, which range from   cosmos. It’s almost like
              one of the star moments on   while 'The Battle For Gad-  up with 'American Way'   hopelessness to hopeful-  being at the theatre and
              the album. With a soft intro   get Land' and 'I Hate My-  and 'Pump It Up', where an   ness. Kicking off with   getting to watch an award-
              featuring Max’s vocals, he   self' add that element of   increased tempo makes a   ‘Eventually’, Ginger re-  winning play that’s been
              is soon joined by Canadian   Darknessy mayhem and   world of difference, with the   veals,  ‘Eventually,  it’s   condensed from two hours,
              singer JJ Wilde to create a   creativity to the record, the   vocals  of  Florian   gonna break your heart.   down into under 8 minutes.
              male/female  back-and-  latter having the added   Badetscher coming alive   Eventually, it’s gonna tear   The variety of sounds and
              forth in the relationship-in-  bonus of some excellent   on these songs. Better still   us apart’.  The song is a   emotions rotate like an ex-
              spired song. You can feel   brass work to give it that   is 'I Wanna Live', where the   conglomeration of thunder-  peditious,  transmuting
              lighters in the air of an   extra kick.    guitar work of Florian and   ous, psychotic riffs, rum-  merry-go-round.
              arena while listening to it,   But it's the rest of the   Severin Held rises to an-  bling beats, and deathly,   And that’s the sort of
              and hearts aching. It’s a   album which makes this a   other level of foot stompi-  caustic screams, before   merry-go-round that we
              truly beautiful song.   true Darkness album. 'Cold   ness and swagger and the   morphing into a harmo-  want to jump on.
                 If you haven’t checked   Hearted Woman' is sure to   main riff is, quite simply, a   nious chorus, before an-  YYYYY
              Storm Orchestra out, then   make your smile that little   thing of beauty, and what   other change of pace for a   Shari Black Velvet
              this album is a must. These   wider on the first couple of   should, in theory, be the in-  slower, loungey instrumen-
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