Page 43 - Black Velvet Rock Magazine Issue 112
P. 43

BV112 pg 42-43 Manics.qxp_BV112 pg43  22/06/2025  18:56  Page 2



                                                                                          BlackVelvetMagazine.Com  - 43
                 The band have been mixing up the setlist during the tour,
              which has been split into weekend shows throughout April and
              May. We love the idea of weekend shows, as it doesn’t involve
              having to get up early for work the next day after a night out.
              Wolverhampton gets ‘Let Robeson Sing’ after the magnificent
              ‘Motorcycle Emptiness’, which features the band’s video (fea-
              turing Richey) on the backdrop. The memories that this hit con-
              jures will last a lifetime. The whole audience erupts, singing
              along, and jumping up and down with arms in the air. ‘Motorcy-
              cle Emptiness’ will never get old; it has youth and spirit in abun-
              dance.
                 Likewise, ‘A Design For Life’ is so life-affirming, everyone
              in the building sings along at the top of their lungs. Confetti falls
              from the roof over the crowd towards the end of the song, mak-
              ing it even more magical. “You’re a bunch of mighty fine
              singers,” James comments to the crowd, before he takes the
              spotlight for a couple of songs performed on his own, acousti-
              cally. It takes one to know one (or a bunch) - James’s voice is
              fantastic and pitch-perfect in
              ‘This Sullen Welsh Heart’ and
              throughout the whole set. You
              can tell he’s looked after it
              throughout the decades of
              touring.
                  ‘The Everlasting’ starts
              off with just James on his own,
              before the band rejoin him on
              stage halfway through the en-
              trancing song (aside from
              James, Sean and Nicky, Dave
              Eringa is on keys and Wayne
              Murray is on rhythm guitar).
              Sean Moore’s solid drumming
              stands out in the tougher-
              edged ‘Sleepflower’, while it
              makes a nice change to see
              Nicky Wire singing lead vo-
              cals and playing guitar in ‘Hid-
              ing In Plain Sight’, a song on
              the new ‘Critical  Thinking’
              album.
                 There’s a moment when a
              girl passes out in the audience
              and is pulled out into the pho-
              topit. The band stop the show
              until she’s taken out. James
              looks  down,  concerned,
              checking that she’s okay.
                 Wrapping the show up
              with the anthemic ‘If You Tol-
              erate This, Your Children Will
              Be Next’, and, once again,
              with everyone singing along,
              it’s amazing to see how many
              people are still profoundly af-
              fected by the Manics’ cata-
              logue of music, and how their
              songs continue to stand the
              test of time. There are no airs
              and graces to this band,
              they’re just three close friends
              whose passion for creating
              music, and using their lyrics,
              voice and purpose to com-
              ment authentically on impor-
              tant subjects, have made a
              lasting imprint. Long may they
              continue.
                            YYYY
                      Shari Black Velvet

               Manics Photos By Shari Black
                               Velvet









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